Geoff Billingsley reviews Matthew Bourne's ballet Nutcracker at The Churchill
I have always been a closet Tchaikovsky fan but have never broadcast it or had it printed in black and white.
The much-acclaimed production of Matthew Bourne's Nutcracker starts pleasantly enough but like Tchaikovskys music, takes us on a topsy-turvy ride indeed.
At Dr Dross' Orphanage for waifs and strays, the residents are festively preparing for a Christmas Eve visit and inspection. But once the dignitaries have gone, the freshly handed over toys are taken from the children and locked away.
When the children revolt, the orphanage is brought crashing down and the special effects and set design used are visually breathtaking.
At the end of act one there is a beautiful snowflake dance scene. It is one of the most stunning sights I have ever seen on stage.
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The Nutcracker is a relatively simple story with adults playing the parts of children, but intelligently linked to Tchaikovsky's masterpiece, it becomes dramatic, almost scary at times. But it is also very charming and magical. And yes, Nutcracker includes the Sugar Plum Fairy dance and many more well-known pieces.
Considering not a word is spoken by any of this amazing cast, Matthew Bourne should be applauded.
The dancing, especially when the Sweetie Land characters arrive, is truly beautiful to watch.
These characters include The Liquorice Trio, The Gobstoppers and Knickerbocker Glory. They all go around tasting each other as a way of introduction and while main character Clara is returned to the orphanage at this incredible show's climax, there is an escape route to ensure a happy ending.
I never expected to appreciate this show as much as I did and would wholeheartedly recommend to any young, aspiring ballet stars of the future.
Bourne confirms here he is the most innovative choreographer on the planet, while also proving that you can have your cake and eat it.
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