SET in Portugal in 1817, among starvation, poverty and power-games, Thank-fully There Is Moonlight combines the political and the emotional to create a hard- hitting experience.

Written in 1961, the play was intended to reflect the problems of the time, but it landed author Sttau Monteiro in hot water.

He was imprisoned by the Portuguese secret police and the play was banned by the government because its criticisms of the fascist regime were obvious.

The play was was finally performed in Lisbon in 1978, four years after democracy was established in Portugal.

This production by the Galleon Theatre Company laid bare all the qualities of human life.

On the one hand, a woman seeks to rescue her husband from execution by the government, while on the other hand, those in power try to establish their own positions by pointing the finger at other people.

The play contrasts hope with despair and helplessness with power, creating a strong range of characters.

Cardinal Sousa (Rufus Graham) seemed to be the only one not fearing for his own position, as he believed his power was divine.

This stood out against Vicente (played powerfully by Andy Dowbiggin), whose humble upbringing made him despise the peasants and everything they stood for.

The only one with hope was the old soldier who had fought for his country, and he was chastised as being crazy, showing just how desperate times had become.

This gripping story leaves you moved and mindful of the dangers of an authoritarian government.

The stage has its audience seated on three sides, but at no point did I feel left out of the action, and the proximity of the performers made us feel integral to the drama.

Lighting, music and minimal props were used effectively and with a real sense of imagery.

The tale is a true gem and this production makes perfect use of the space.

Thankfully There Is Moonlight! To March 11, Greenwich Playhouse, 020 8858 9256.