Scott Bradlee is hardly a household name but you have almost certainly seen – and loved – his work.

The pianist and band leader’s retro reworkings of pop hits have had 165 million views on Youtube and his account has nearly one million followers eager to watch his weekly offerings.

Last year he performed a sell-out tour in this country with his Postmodern Jukebox band and they play Greenwich’s IndigO2 on March 22.

The 33-year-old New Yorker told News Shopper: “This is our second time over here. The crowds have been absolutely incredible.

“We’ve actually played in the UK more than we have played in parts of America.”

Scott and the Postmodern Jukebox’s covers have a vintage feel – like a foot-tapping jazz rendition of Meghan Trainor’s All About that Bass or a 1950s doo-wop cover of Miley Cyrus’ We Can’t Stop, which gained 12 million hits alone.

Because of that, fans have started to dress up to come along to the gigs.

Scott said: “The audience here really get it, they get what we’re doing. It’s so cool to see people dress up and wearing vintage clothes. It has been a really fun time.

“It wasn’t even prompted by me, which is so cool. It has just developed that way.

“People realised we’re doing this whole evening where we take pop songs back in time so why not take the style of dress back in time too.

“Sometimes we see people who are so well dressed we think we should put them in the band.”

The evenings are suitably old-school, with a throwback variety flavour.

An MC introduces the acts and the dozen or so performers play the hits from Scott’s Youtube channel.

Scott said: “At the same time we rearrange things slightly because we have so much vocal talent here. We have got some amazing singers on the tour.

“The whole point is it’s a high energy show. It’s very interactive. The audience gets into it, we get into it. For me, it is as much fun being on stage as it is being in the audience, I think.

“There is always a little bit of a different twist on it every night. We really feed off the audience too.”

A successful performer on the New York jazz scene, Scott began reworking popular songs in 2009 and has released four albums which have charted in the top five of the American Billboard charts.

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In 2013, he started working on his Postmodern Jukebox project with guest musicians and weekly videos uploaded to Youtube.

He never saw his success coming.

He said: “Nobody ever does, right? All I knew at the time was it was something I wanted to explore.

“I thought it was a really great, interesting medium to put stuff out there. I really wanted to have my own show or something like that and at the time I was unknown so I didn’t have the resources to do it.

“When we started getting millions of hits on Youtube, that’s when I thought ‘wow, this is real’. That’s a lot of people watching. Somewhere along the line it took off.”

As for knowing what’s going to be successful, Scott said there is no real formula.

He said: “That’s kind of what makes it exciting. Obviously I’ll be biased towards things that are familiar to lots of people because that makes the Postmodern Jukebox affect real. It’s best if they already know the original song or are familiar with it.

“Sometimes we’ll just cover a song that I like or the singer likes that we think will work in an interesting manner.

“Recently we did Stacy’s Mom, which was an odd choice for a lot of people, but it was a huge success because it was us picking a song we really wanted to cover and doing it in a fun way.”

And it’s not just listeners who love Scott’s work, the acts he’s covering also enjoy his work.

He said: “They have all been very positive.

“A lot of people have tweeted their support for it or shared it. Beyonce has shared it on Facebook.

“It has been kind of fun to have them get into it too. It has become its own place, its own niche in pop culture and that’s exactly what I wanted it to be.”

Scott Bradlee’s Postmodern Jukebox plays IndigO2 on March 22. Go to axs.com.